The Center for History and New Media at George Mason University has released Omeka 1.0.

Here's an excerpt from the announcement:

This production-grade release marks the completion of Omeka’s basic requirement set. Maintaining our commitment to serious web publishing for scholarship and cultural heritage, Omeka 1.0 incorporates unqualified Dublin Core metadata for organizing and displaying collections; support for extensible element sets; robust, flexible theme and plugin APIs; and plugins for Zotero compatibility, static page creation, and building sophisticated online exhibitions.

The Arcadia Programme at the Cambridge University Library has released M-Libraries: Information Use on the Move.

Here's an excerpt:

Developing m-library services is usually expensive and resource intensive, requiring expertise that existing library staff may not have. Before committing funding and staff time to such projects, it is important to try and ensure, as far as possible, that such investments are targeted at meeting actual needs, and are adding value to existing library services.

The Information Use on the Move project was undertaken in that spirit—to scope the information requirements of academic library users on the move in order to inform future development of library services to mobile devices. The aim was to identify trends in the way people currently interact with information using their mobile phones, and then extrapolate ways that libraries could support those mobile information needs.

The UCLA Mellon Seminar in Digital Humanities has released A Digital Humanities Manifesto 2.0 (Thanks to HASTAC.).

Here's an excerpt:

Digital Humanities is not a unified field but an array of convergent practices that explore a universe in which: a) print is no longer the exclusive or the normative medium in which knowledge is produced and/or disseminated; instead, print finds itself absorbed into new, multimedia configurations; and b) digital tools, techniques, and media have altered the production and dissemination of knowledge in the arts, human and social sciences. The Digital Humanities seeks to play an inaugural role with respect to a world in which, no longer the sole producers, stewards, and disseminators of knowledge or culture, universities are called upon to shape natively digital models of scholarly discourse for the newly emergent public spheres of the present era (the www, the blogosphere, digital libraries, etc.), to model excellence and innovation in these domains, and to facilitate the formation of networks of knowledge production, exchange, and dissemination that are, at once, global and local.