DigitalKoans

The National Endowment for the Humanities' Office of Digital Humanities has announced the Humanities High Performance Computing Initiative.

Here's an excerpt from the announcement:

As you may have seen in today's Chronicle of Higher Education, the NEH has just announced our new Humanities High Performance Computing initiative—HHPC for short. Our goal is to start a conversation about how high performance computers—supercomputers—can be used for humanities research. We are working with colleagues at the Department of Energy and the National Science Foundation to provide you with information on how high performance/grid computing and data storage might be used for work in the humanities. We are also announcing a new grant competition with DOE to award time and training on their machines. I urge you to check out our HHPC Resources page for more information.

Here's an excerpt from the Humanities High Performance Computing Resource page:

So what do we mean by "HHPC?" Humanities High-Performance Computing (HHPC) refers to the use of high-performance machines for humanities and social science projects. Currently, only a small number of humanities scholars are taking advantage of high-performance computing. But just as the sciences have, over time, begun to tap the enormous potential of HPC, the humanities are beginning to as well. Humanities scholars often deal with large sets of unstructured data. This might take the form of historical newspapers, books, election data, archaeological fragments, audio or video contents, or a host of others. HHPC offers the humanist opportunities to sort through, mine, and better understand and visualize this data.

The new Office of Digital Humanities of the National Endowment for the Humanities announced the first five recipients of the of the JISC/NEH Transatlantic Digitization Collaboration Grants yesterday.

Here's an excerpt from the press release:

The announcement was made by NEH Chairman Bruce Cole during an event at the Folger Shakespeare Library. . . . A total of five projects received over $600,000 in funding. . . .

Inaugurated last year as part of the Endowment’s Digital Humanities Initiative, the JISC/NEH Transatlantic Digitization Collaboration Grant program is supported by both the NEH and the Higher Education Funding Council for England acting through the Joint Information Systems Committee (JISC). These grants provide combined funding of up to $240,000 for one year of development in the following areas: new digitization projects and pilot projects, the addition of important materials to existing digitization projects, or the development of infrastructure (either technical "middleware," tools, or knowledge-sharing) to support U.S.-England digitization work. Each project is sponsored by both an American and an English institution, whose activities will be funded by NEH and JISC respectively.

The formation of the Endowment’s Office of Digital Humanities (ODH) also was announced during the event. In 2006, the NEH launched the Digital Humanities Initiative, a program encouraging and supporting projects that utilize or study the impact of digital technology on research, education, preservation, and public programming in the humanities. With the creation of ODH, the initiative is being made permanent as an office within the NEH. ODH will continue the work of the initiative and will help to coordinate the Endowment’s efforts in the area of digital scholarship.

A complete list of the projects announced can be found below:

The Folger Shakespeare Library and the University of Oxford, with the Maryland Institute for Technology in the Humanities at the University of Maryland and the Shakespeare Institute at the University of Birmingham, plan to create the Shakespeare Quartos Archive, a freely-accessible, high-resolution digital collection of the seventy-five quarto editions of William Shakespeare's plays. The project will also develop an interactive interface and toolset for the detailed study of the quartos, with full-functionality applied to all thirty-two copies of one play, Hamlet, held at participating institutions, including the British Library, the University of Edinburgh Library, the Huntington Library, and the National Library of Scotland. ($119,598)

The Internet Archive in the United States and the Oxford Internet Institute and Hanzo in the United Kingdom plan to develop procedures and tools to improve the effectiveness of humanities research on the Web. This research and development effort promises to yield superior methods for indexing and analyzing the textual parts of larger digital collections, more focused browsing ("crawling") of the Web, and unified access to data resources, i.e., the ability to search for information across multiple digital databases. ($106,395)

The Institute for the Study of the Ancient World at New York University and the Centre for Computing in the Humanities at King's College, London, plan to launch Concordia, a set of tools and procedures to enable seamless textual searches and the dynamic mapping of a variety of humanities collections. The pilot project would concentrate on large holdings of papyrological and epigraphic texts from North Africa during the Greek and Roman periods. ($129,828)

A team of scholars from the Digital Archaeological Archive of Comparative Slavery at the Thomas Jefferson Foundation in Virginia, the University of Southampton's Nevis Heritage Project, and the International Slavery Museum in Liverpool is working together on the St. Kitts-Nevis Digital Archaeology Initiative. Together, they plan to develop an integrated digital archive of diverse archaeological and historical data related to the experiences of slaves on sugar plantations in the Caribbean by digitizing and delivering on the Web information from two 18th-century plantations. ($132,832)

The Perseus Digital Library at Tufts University and the Internet Centre at Imperial College London plan to develop Philogrid, a Web resource for scholars of Classical Antiquity. The project will generate a digital collection of fragmentary writings of Greek historians that is designed to interact with multiple source editions; a repository of philological data about the Greco-Roman world; and set of procedures that draws on the recipient’s experience in processing textual materials from Perseus but that can also be extended to other digital collections. ($119,992)

The National Endowment for the Humanities and the Virginia Foundation for the Humanities have published Supporting Digital Scholarly Editions: A Report on the Conference of January 14, 2008, which was written by Ithaka staff.

Here'a an excerpt from the "Introduction":

On January 14, 2008, a group of editors, representatives from university presses, and other stakeholders met to discuss the future of scholarly editions and how they might best be supported in the digital age. . . . .

The objectives of the meeting were:

• To identify services and tools that are critical for supporting digital documentary editions;
• To assess the need for a service provider to facilitate the production of these editions; and
• To articulate the key uncertainties involved in creating such a service provider, so that those can be further investigated.

This report documents the workshop, with the goal of providing a reference not only for participants, but also for others in the community who are concerned with the future of scholarly editions. It is divided into three sections that follow the course of the day itself:

1. Developing a vision for the next generation scholarly edition
2. How do we get there? Identifying needs and gaps
3. Creating a service provider for scholarly editions

The Andrew W. Mellon Foundation has funded the Bamboo Planning Project, a digital humanities project which is headed by Janet Broughton, Dean of Arts and Humanities, University of California, Berkeley and Gregory A. Jackson, Vice President for Information Technology and Chief Information Officer, University of Chicago.

Here's an excerpt from the project home page:

Bamboo is a multi-institutional, interdisciplinary, and inter-organizational effort that brings together researchers in arts and humanities, computer scientists, information scientists, librarians, and campus information technologists to tackle the question:

How can we advance arts and humanities research through the development of shared technology services? . . . .

Bamboo is meant to include liberal arts colleges, community colleges, research universities, national consortia, disciplinary societies, and other organizations internationally who are concerned with advancing the humanities through the development of shared digital technologies. If we move toward a shared services model, any faculty member, scholar, or researcher can use and reuse content, resources, and applications no matter where they reside, what their particular field of interest is, or what support may be available to them. Our goal is to better enable and foster academic innovation through sharing and collaboration.

Read more about it at "Project Bamboo Launches" and the project proposal.

Concordia University’s Digital History Lab has released Vertov, an open-source Zotero plug-in that allows users to create clips from digital audio or video files, annotate them, and include the annotations in Zotero.

Read more about it at "Vertov: A Media Annotating Plugin for Zotero" and "Vertov Brings Video Annotation to Zotero."

The National Endowment for the Humanities has awarded $474,474 to Digital Humanities Start-Up Grants recipients.

Here's an excerpt from the press release:

Note: The We the People program encourages and strengthens the teaching, study, and understanding of American history and culture. Grants bearing this designation have been recognized for advancing the goals of this program.

ALASKA

Fairbanks

University of Alaska, Fairbanks $50,000
Digital Humanities Start-Up Grants
Project Director: Siri Tuttle
We the People Project Title: Minto Songs Project Description: The collection, digitization, organization, and archival storage, as well as dissemination among the Minto Athabascan community, of recorded performances of Alaskan Athabascan songs.

ARIZONA

Tucson

University of Arizona $25,000
Digital Humanities Start-Up Grants
Project Director: Douglas Gann
Project Title: Virtual Vault
Project Description: Electronic access to the world's largest collection of whole pottery vessels from the American Southwest through digital renderings of Arizona State University's Pottery Vault and relevant prehistoric archaeological sites as well as interviews with anthropologists, conservators, and Native American potters.

ILLINOIS

Lake Forest

Lake Forest College $25,000
Digital Humanities Start-Up Grants
Project Director: Davis Schneiderman
We the People Project Title: Virtual Burnham Initiative
Project Description: The development of the Virtual Burnham Initiative (VBI), a multimedia project that would examine the history and legacy of Daniel H. Burnham's and Edward H. Bennett's Plan of Chicago (1909).

MARYLAND

College Park

University of Maryland, College Park $11,708
Digital Humanities Start-Up Grants
Project Director: Matthew Kirschenbaum
Project Title: Approaches to Managing and Collecting Born-Digital Literary Materials for Scholarly Use
Project Description: A series of planning meetings and site visits aimed at developing archival tools and best practices for preserving born-digital documents produced by contemporary authors.

MASSACHUSETTS

Boston

University of Massachusetts, Boston $24,748
Digital Humanities Start-Up Grants
Project Director: Joanne Riley
We the People Project Title: Online Social Networking for the Humanities: the Massachusetts Studies Network Prototype
Project Description: The development and evaluation of a social networking platform for the members of the statewide Massachusetts Studies Project.

Norton

Wheaton College $41,950
Digital Humanities Start-Up Grants
Project Director: Mark LeBlanc
Project Title: Pattern Recognition through Computational Stylistics: Old English and Beyond
Project Description: Development of a prototypical suite of computational tools and statistical analyses to explore the corpus of Old English literature using the genomic approach of tracing information-rich patterns of letters as well as that of literary analysis and interpretation.

MISSISSIPPI

Mississippi State

Mississippi State University $50,000
Digital Humanities Start-Up Grants
Project Director: Paul Jacobs
Project Title: Distributed Archives Transaction System
Project Description: Development of open source web tools for accessing online digitized collections in the humanities via a system that communicates with multiple database types while protecting the integrity of the original data sets.

NEW YORK

Brooklyn

Unaffiliated Independent Scholar $23,750
Digital Humanities Start-Up Grants
Project Director: Daniel Visel
Project Title: Sophie Search Gateway
Project Description: The development of an interoperable portal within the Web authoring program, "Sophie," for locating and incorporating multi-media sources from the Internet Archive.

Hempstead

Hofstra University $23,591
Digital Humanities Start-Up Grants
Project Director: John Bryant
We the People Project Title: Melville, Revision, and Collaborative Editing: Toward a Critical Archive
Project Description: The development of the TextLab scholarly editing tool to allow for analysis of texts that exist in multiple versions or editions, beginning with the Melville Electronic Library.

New York City

New York University $49,657
Digital Humanities Start-Up Grants
Project Director: Brian Hoffman
Project Title: MediaCommons: Social Networking Tools for Digital Scholarly Communication
Project Description: Development of a set of networking software tools to support a "peer-to-peer" review structure for MediaCommons, a scholarly publishing network in the digital humanities.

RHODE ISLAND

Providence

Brown University $49,992
Digital Humanities Start-Up Grants
Project Director: Julia Flanders
Project Title: Encoding Names for Contextual Exploration in Digital Thematic Research Collections
Project Description: The advancement of humanities text encoding and research by refining and expanding the automated representation of personal names and their contexts.

TEXAS

Austin

University of Texas, Austin $49,251
Digital Humanities Start-Up Grants
Project Director: Samuel Baker
Project Title: The eCommentary Machine Project
Project Description: Development of a web-based collaborative commentary and annotation tool.

VIRGINIA

Charlottesville

University of Virginia $49,827
Digital Humanities Start-Up Grants
Project Director: Scot French
We the People Project Title: Jefferson's Travels: A Digital Journey Using the HistoryBrowser
Project Description: Development of an interactive web-based tool to integrate primary documents, dynamic maps, and related information in the study of history, with the prototype to be focused on Thomas Jefferson's trip to England in 1786.

The National Endowment for the Humanities has announced 149 awards and offers, totaling $11.9 million (Digital Humanities Start-Up Grants are included in this announcement).

The awards are contained in three files: Alaska-Indiana, Kansas-Ohio, and Oklahoma-Wisconsin and American scholars abroad.

The Maryland Institute for Technology in the Humanities, the Emory University Manuscript, Archives, and Rare Book Library, and the Harry Ransom Center have been awarded a NEH Digital Humanities Start-Up Grant for studying "Approaches to Managing and Collecting Born-Digital Literary Materials for Scholarly Use."

Here's an excerpt from the announcement:

The project, directed by Matthew Kirschenbaum, Associate Professor of English at the University of Maryland, will involve a series of site visits and planning meetings among personnel working with the born-digital components of three significant collections of literary material: the Salman Rushdie Papers at Emory University’s Manuscript, Archives, and Rare Book Library (which includes Rushdie’s laptops), the Michael Joyce Papers at the Harry Ransom Humanities Research Center at the University of Texas at Austin, and the Deena Larsen Collection at the Maryland Institute for Technology in the Humanities (MITH) at the University of Maryland. The meetings and site visits will facilitate the preparation of a larger collaborative grant proposal among the three institutions aimed at developing archival tools and best practices for preserving and curating the born-digital documents and records of contemporary literary authorship.

According to Kirschenbaum, "Today nearly all literature is born-digital in the sense that before it is ever printed as a book the text is composed with a word processor, saved on a hard drive or other electronic storage media, and accessed as part of a computer operating system. This new technological fact about writing means that an author working today will not and cannot be studied in the future in the same way as writers of the past, since the basic material evidence of their creative activity—manuscripts and drafts, working notes, correspondence, journals—is, like all textual production, increasingly migrating to the electronic realm. We look forward to the process of examining how to best meet these challenges, balancing the needs of both scholarship and archives in the new textual environment."

Stephen Enniss, Director of the Manuscript, Archives, and Rare Book Library at Emory, notes "The born-digital archive not only contains enormous data, it also contains enormous potential for literary scholars to pose new questions of the archive not even contemplated in the past." Thomas F. Staley, Director of the Ransom Center, comments "The Ransom Center is very pleased to be part of this vitally important project to explore how we can best preserve and make accessible the map of an author’s creative process in the digital age. This collaborative effort between the Ransom Center, MITH, and Emory will help lead the way in the preservation of born-digital materials and ensure that these materials are available to students and scholars for generations to come." Neil Fraistat, Director of MITH, adds "This project will deepen MITH’s focus on the preservation and analysis of born digital literary artifacts, which is already well established in its work with the Electronic Literature Organization and on an NDIIPP funded project on the preservation of virtual worlds."