Draft Curation Lifecycle Model Released by the Digital Curation Centre

The Digital Curation Centre has released the Draft DCC Curation Lifecycle Model for comment by February 29, 2008. Further information about the model can be found in "Draft DCC Curation Lifecycle Model" from the latest issue of the International Journal of Digital Curation.

Here's an excerpt from the announcement:

The model provides a generic graphical high-level overview of the stages required for successful curation and preservation of digital material from initial conceptualisation. The Digital Curation Centre will shortly start to use this draft model to ensure that information, services and advisory material cover all areas of the lifecycle.

Israeli vs. Canadian Copyright Law

A translation of the Israel's Copyright Act of 2007, which takes effect on May 25, 2008, is now available.

Last December, Ariel Katz, Innovation Chair in Electronic Commerce, Faculty of Law, University of Toronto, wrote an interesting analysis of the Israeli law ("What Can Canada Learn from Israel about Copyright Reform?"), which contrasted it to Canadian copyright law. In summary, he said:

Israel's new act has revealed its copyright priorities. Overall, Israel decided to increase the flexibility of its copyright law and make it more open and friendlier to users, educators and innovators. It decided to reduce the ways in which copyright law can work to restrict competition. For the time being, it decided not to enact anticircumvention rules that have the potential to work in the other direction. This choice is compatible with Israel's innovative and creative record. This choice is essential for a small economy whose citizens' brain is the only natural resource. Canada should seriously consider doing the same.

Archivists' Toolkit Version 1.1 Released

The project team from the Five Colleges, Inc., New York University Libraries, and the UCSD Libraries have released Version 1.1 of the Archivists' Toolkit.

Here's an excerpt from the project's home page that describes the new features of the release:

  • Batch import of EAD files: target a directory containing the EAD files to be imported and import all EAD files in the directory
  • Batch export of EAD and MARCXML records: from the resource browse screen select two or more resources that you want to export as either EAD files or MARCXML records
  • Import of XML encoded accession data: Import of multiple names using the XML import method.  Use the accessionsImport.xsd file to map your accession data and to create an accessions import file
  • EAD schema: replaces the EAD DTD for importing / exporting EAD files
  • Extended accession record: includes new fields, including many user definable
  • Extended repository record: includes new fields for recording repository statistics, per recommendations of Archival Metrics Project
  • Support for other database backends. In addition to the open source database backend MySQL, the application can be run using either Oracle or MS SQL server as a backend
  • Updated documentation. User manual and additional documentation have been updated to reflect new features

Podcast of ALA's Virtual Communities and Libraries Member Initiative Group Meeting

A podcast of the first meeting of the ALA's Virtual Communities and Libraries Member Initiative Group is now available.

Here's the group's statement of purpose from its ALA Wiki entry:

To provide a group within ALA for members interested in fostering the practice of library work, the visibility of libraries and library workers, and the extension of library services within online social networks, virtual worlds, and other communities of intention. To provide a mechanism for sharing experiences and practices in-person or virtually through programming or asynchronous communications. To encourage wider participation by the profession and the association in virtual worlds. and To establish a forum across all types of libraries and at all levels of library employment concerned with the development of library services in emerging social networks, virtual worlds, and other communities of intention. This group is open to all members.

EFF Files Amicus Brief in Atlantic v. Howell: Atlantic Is Trying to Prosecute Attempted Infringement

An amicus brief filed by the EFF suggests that Atlantic is suing Pamela and Jeffrey Howell based on attempted, rather than actual, infringement and that there is no evidence of infringement other than hearsay evidence by Atlantic's hired investigator (MediaSentry).

Here's en excerpt from the brief:

Plaintiffs' investigator, MediaSentry, did not observe Defendant's disseminating any materials to third parties. Nor do Plaintiffs contend that MediaSentry invited Defendants to make any unauthorized reproductions. Nor have Plaintiffs established that MediaSentry's downloads constitute circumstantial evidence that the Howell's computer disseminated copies of the 11 songs in question to any other KaZaA user. In fact, Plaintiffs' own evidence makes this seem particularly unlikely. According to Plaintiffs' expert, during the period that MediaSentry performed its investigation, there were 2,282,954 KaZaA users online, sharing 292,532,420 files. . . . Even accepting Plaintiffs' hearsay testimony as true, these facts together suggest that it is highly unlikely that, among the millions of KaZaA users who are likely to be sharing them at any time, these 11 songs would have been downloaded from Defendants' computer. At any instant, KaZaA users are likely to have thousands of sources for these particular songs to choose from and no reason to choose the Defendants' computer over any other. And while Plaintiffs may be correct that, in the aggregate, KaZaA users engage in a prodigious amount of infringing activity, that general statement tells us nothing about the crucial issue in this case: whether these Defendants transmitted (i.e., uploaded) any of these 11 songs during the time period in question.

Here's an excerpt from "EFF Files Brief in Atlantic v. Howell Resisting RIAA's 'Attempted Distribution' Theory":

As in more than 20,000 other lawsuits, the recording industry claims that Mr. and Mrs. Howell committed copyright infringement by using P2P file sharing software (in this case, Kazaa). But rather than going to the trouble of proving that the Howells made any infringing copies (by ripping CDs or downloading songs) or any infringing distributions (by uploading to other Kazaa users), the record labels argue that simply having a song in a shared folder, even if no one ever downloaded it from you (i.e., "making available"), infringes the distribution right. This essentially amounts to suing someone for attempted distribution, something the Copyright Act has never recognized (although the DoJ unsuccessfully tried to get something like that from Congress last year).

Swedish MPs Want to Legalize Noncommercial File Sharing

Seven Swedish MPs have written an article calling for Sweden to legalize noncommercial file sharing.

Decriminalizing all non-commercial file sharing and forcing the market to adapt is not just the best solution. It’s the only solution, unless we want an ever more extensive control of what citizens do on the Internet. Politicians who play for the antipiracy team should be aware that they have allied themselves with a special interest that is never satisfied and that will always demand that we take additional steps toward the ultimate control state. . . .

The simple truth is that almost all communication channels on the Internet can be used to distribute copyrighted information. If you can use a service to send a message you can most likely use the same service to send an mp3-song. Those who want to prevent people from exchanging of copyrighted material must control all electronic communication between citizens.

Read more about it at "Political Breakthrough for Filesharers in Sweden" and "Swedish Politicians Strike Blows at Copyright Lobby."

Source: "Legalize File Sharing, Say Swedish MPs."

White Paper on Interoperability between Acquisitions Modules of Integrated Library Systems and Electronic Resource Management Systems

A subcommittee of the Digital Library Federation’s Electronic Resource Management Initiative, Phase II has released White Paper on Interoperability between Acquisitions Modules of Integrated Library Systems and Electronic Resource Management Systems.

Here's an excerpt from the "Executive Summary":

The following white paper investigates interoperability between the acquisitions modules of integrated library systems (ILS) and electronic resource management systems (ERMS). The first section of the paper features four case studies: UCLA, Cornell University, the Tri-College Consortium of Bryn Mawr, Haverford, & Swarthmore Colleges, and the Library of Congress. Each case highlights the library’s institutional environment, consortium considerations, systems architecture (ILS, ERMS, and link resolver), and electronic resource workflows. . . .

The second part of the paper reports on conversations held with product managers and other relevant staff of the leading ERMS. . . .

The paper concludes with a recap of the general value of ILS/ERMS interoperability and some of the more significant barriers to achieving it. Finally, it is proposed that further discussions among stakeholders take place, and that these discussions focus on establishing agreement on a small set of elements for exchange and on the development of standard identifiers.

Podcasts from the CNI Fall 2007 Task Force Meeting

Podcasts are now available from CNI's Fall 2007 Task Force Meeting. Here's a selection:

Goodbye Digital Music DRM, Goodbye RIAA?, and Hello Music Watermarking

SONY BMG has moved beyond experimenting with non-DRM-protected music tracks and indicated that its entire catalog will be available as MP3s from Amazon by the end of the month. SONY BMG is the last of the "big four" music labels to offer MP3s via Amazon (the others are the EMI Group, the Universal Music Group, and the Warner Music Group). Napster has also announced that it will offer MP3s for sale this spring (its subscription service will still use DRM). It would appear that the DRM era for digital music is coming to a close.

Meanwhile, rumors continue to circulate that the RIAA is endangered due to a potential withdrawal of funding from the EMI Group.

The decline of digital music DRM does not mean that the labels have given up the fight to stem the tide of illegal downloads. MP3s from Sony and Universal include "anonymous" watermarks that allow them to be traced as they move through the Internet to provide infringement data for music labels and to potentially allow filtering by ISPs.

Nor does the decline of digital music DRM mean that Hollywood will quickly follow, avoiding the mistakes of the music industry.

Read more about it at "DRM Is Dead, but Watermarks Rise from Its Ashes," "Napster to Sell DRM-Free Downloads," "Sony Joins Other Labels on Amazon MP3 Store," and "Under Pressure from EMI, RIAA Could Disappear."

NIH Public Access Policy Implementation

On an updated Web page and a FAQ, the National Institutes of Health (NIH) has explained its implementation of the Public Access Policy required by Division G, Title II, Section 218 of PL 110-161 (Consolidated Appropriations Act, 2008).

Here's an excerpt from the NIH Public Access Policy Web page:

How to Comply

Address Copyright

Make sure that any copyright transfer or other publication agreements allow the article to be submitted to NIH in accordance with the Policy.

Submit Article

Authors may submit an article to the journal of their choice for publication.

  1. If you choose to publish your article in certain journals, you need do nothing further to comply with the submission requirement of the Policy. See http://publicaccess.nih.gov/submit_process_journals.htm for a list of these journals.
  2. For any journal other than one of those in this list, the author must:

    a. Inform the journal that the article is subject to the Public Access Policy when submitting it for publication.

    b. Make sure that any copyright transfer or other publication agreement allows the article to be submitted to NIH in accordance with the Policy. For more information, see the FAQ Whose approval do I need to submit my article to PubMed Central? and consult with your Institution.

    c. Submit the article to NIH, upon acceptance for publication. See the Submission Process for more information.

Cite Article

When citing their NIH-funded articles in NIH applications, proposals or progress reports, authors must include the PubMed Central reference number for each article.

Important Dates

  • April 7, 2008 As of April 7, 2008, all articles arising from NIH funds must be submitted to PubMed Central upon acceptance for publication.
  • May 25, 2008 As of May 25, 2008, NIH applications, proposals, and progress reports must include the PubMed Central reference number when citing an article that falls under the policy and is authored or co-authored by the investigator, or arose from the investigator’s NIH award. This policy includes applications submitted to the NIH for the May 25, 2008 due date and subsequent due dates.

Peter Suber has made some helpful comments about the policy implementation in "New FAQ for New NIH Policy" and "Text of the NIH OA Policy."

After Months as a Pay-What-You-Want Download, Radiohead's Album Tops the Charts

After being available for three months as a pay-what-you-want MP3 download, Radiohead's In Rainbows album has topped the charts in the U.S., Canada, France, Japan, and Ireland in CD and vinyl formats.

Read more about it at "Radiohead Finds Sales, Even After Downloads," "Radiohead's 'Rainbows' Hits No. 1," and "Radiohead's Web Album No 1 in US."

Library of Congress Office of Strategic Initiatives' Strategic Plan FY 2008-2013

The Library of Congress Office of Strategic Initiatives has published its Strategic Plan FY 2008-2013. This is a large color PDF file (about 34 MB).

Here are three brief excerpts:

By 2013 we expect to have in place:

  • Increased digital content holdings
  • Capability to produce and receive sustainable digital content from multiple sources
  • A stewardship network of collaborative partners
  • Recommendations on digital content information architecture, preservation and access
  • Recommendations on public policy for digital content preservation and access

Through 2013, we expect to:

  • Increase use and awareness of content and services by target user communities
  • Improve integrated search and discovery
  • Secure delivery of digital content and services
  • Enable multiple ways/methods of access to digital content and services
  • Facilitate integration of the Library’s primary sources into K–12 educational settings
  • and networks

Key outcomes associated with our technology infrastructure objective include:

  • Secured, available and scalable technology infrastructure
  • Defined Library of Congress technical infrastructure for shared tools and services
  • among networked entities
  • Defined future institution-wide architecture and support for a national networked
  • digital information architectural framework
  • Specialized institutional digital media repository services
  • Preserved authentic digital content over time.

Report on Library of Congress/San Diego Supercomputer Center Data Transfer and Storage Tests

The Library of Congress has published Data Center for Library of Congress Digital Holdings: A Pilot Project; Final Report.

Here an excerpt from the "Introduction":

Between May 2006 and October 2007, the Library of Congress (LC) and the San Diego Supercomputer Center (SDSC) conducted data-transfer and storage tests. At the heart of the project was the issue of trust, specifically how the LC could trust SDSC to reliably store several terabytes of the LC’s data. By what means could SDSC prove to the LC that the data was intact, preserved, and well-cared for? What tests could the LC devise, and what metrics could SDSC produce, to guarantee the integrity of their remotely stored data?

The two main objectives of the project were:

  • For SDSC to host LC content reliably and return it intact at the end of the project
  • For LC to be able to remotely access, process, analyze, and manage that content . . . .

Inspired by SDSC’s staggering technological potential, the LC had devised several scenarios for the data tests. But ultimately, as the project progressed, the LC opted to keep its goals simple: data transfer, storage, and file manipulation. In the end, both partners were happy with the project’s success. The project also produced lessons and unexpected results, some of which will have deep implications for all cultural institutions regarding transfer and storage of their digital assets.

AT&T, Microsoft, and NBC: It's Time to Filter the Internet

In "AT&T and Other ISPs May Be Getting Ready to Filter," The New York Times reports that AT&T, Microsoft, and NBC are lining up in support of filtering the Internet to cope with digital copyright infringement problems.

On December 31, 2007, the Australian Telecommunications Minister announced that there would be mandatory Internet filtering for "inappropriate" material, and a posting about that decision, "Australian Filtering Announcement Raises Questions and Ire," provides a good overview of national-level filtering issues.

Read more about it at "Is AT&T Siding With NBC To Get Rid Of Neutrality?"

The RIAA and CD Ripping for Personal Use: Infringement or Not?

Recently, there has been a flurry of articles about the RIAA's stance on the legality of CD ripping for personal use that was triggered by a Washington Post article ("Download Uproar: Record Industry Goes After Personal Use") that was later corrected. The controversy resulted in a debate on National Public Radio between the article's author and RIAA's president (Cary Sherman). In it, Sherman would not say that CD ripping for personal use was legal, but he did say: "Not a single (legal) case has ever been brought (by the RIAA against someone for copying music for personal use)."

Just as the dust seemed to be settling, Wired Blog Network has published "RIAA Believes MP3s Are A Crime: Why This Matters—Updated," takes another look at what the RIAA has said on the issue, and concludes "The RIAA doesn't believe Americans have any right—or Fair Use legal defense—to play copyrighted material on the device and in the format of their choosing."

Image Management Software Descriptions from TASI Survey

TASI (Technical Advisory Service for Images) has published descriptions of information management software resulting from a vendor survey (e.g., see the Greenstone description). TASI notes: "The information has been provided by the system developer/vendor in answer to TASI's survey, but has not been independently verified."

TASI recommends that readers consult Systems for Managing Image Collections and Choosing a System for Managing your Image Collection as background for evaluating the survey responses.

UK May Make CD Ripping for Legal in Some Cases

Did you know that ripping MP3 files from CDs was illegal in the UK? The good news (for a change) is that Lord Triesman, Minister for Intellectual Property, has initiated an IP reform consultation that may result in making CD ripping legal for distance education, personal use, parody, and preservation purposes.

Read more about it at "Proposal to Make CD Copying Legal," "UK Issues Public Consultation on More Flexible Copyright," "U.K. Looks to Relax Restrictive Copyright Laws," and "UK Wants to Make CD Rips Legal (at Last)."

STARGATE Report Investigates Issues with Software to Support Harvesting for Publishers without OAI-PMH-compliant Repositories

The JISC-funded extension of the STARGATE project has released the STARGATE Extension Final Report.

Here's an excerpt from the original STARGATE project page that explains its goals:

The Centre for Digital Library Research (CDLR) at of Strathclyde set out to implement a low-tech solution to OAI-based disclosure for small publishers. Their STARGATE project was based on the 'static repositories' model for using OAI-PMH . . . Instead of building an OAI-compliant repository, a publisher builds a static repository, effectively an XML file of the relevant metadata on an accessible server. A separate static repository gateway handles the technical aspects of making the metadata available for harvesting, i.e. the complexity is shifted away from the publisher.

Here's an excerpt from the report's "Executive Summary":

The extension has produced a functional branded gateway that the publishing community can use to explore the use of static repositories. It will be maintained for the next year. The gateway is available at http://stargate.cdlr.strath.ac.uk/gateway/.

The project concludes that although functional the software is not suitable for deployment by a novice user. It is also effectively still in at the beta stage of development and it has only been used in a limited number of settings.

The project further suggests that the creation and maintenance of gateway(s) within the publishing community may be more suitably carried out in the same way that DOI and Purl provision is offered through a third-party service provider willing to work with developing open source software. Any deployment of a gateway by JISC to support wider participation in static repositories should also engage with the gateway software developers.

Scholarly Electronic Publishing Weblog Update (1/9/08)

The latest update of the Scholarly Electronic Publishing Weblog (SEPW) is now available, which provides information about new works related to scholarly electronic publishing, such as books, journal articles, magazine articles, technical reports, and white papers.

Especially interesting are: "Assessment of Self-Archiving in Institutional Repositories: Across Disciplines"; "Copyright and Research: A Different Perspective"; "The Cost Profiles of Alternative Approaches to Journal Publishing"; "Data, Disciplines, and Scholarly Publishing"; "Discovering Books: OCA & GBS Retrospective"; In the Public Interest: The Future of Canadian Copyright Law; "Open Access in 2007"; "An Open Access Mandate for the NIH"; and "The Rutgers Workflow Management System: Migrating a Digital Object Management Utility to Open Source."

Recut, Reframe, Recycle: Quoting Copyrighted Material in User-Generated Video

American University's Center for Social Media has released Recut, Reframe, Recycle: Quoting Copyrighted Material in User-Generated Video, which examines fair use issues in user-created digital videos. See the announcement for links to videos used in the report.

Here's an excerpt from the "Next Steps" section:

The effervescence of this moment at the dawn of participatory media should not be mistaken for triviality. The practices of today’s online creators are harbingers of a far more interactive media era. Today’s makers—feckless, impudent, brash, and extravagant as they often are—in fact are the pioneers of an emerging media economy and society. Recognition of the importance of fair use, within the copyright law toolkit for cultural creation, is both prudent and forward-looking for those concerned with maintaining an open society.