Pepsi/Amazon May Give Away a Billion MP3 Tracks (and Other Bad News for DRM)

According to Billboard, Pepsi and Amazon may start a promotion campaign during the upcoming Super Bowl that could give away as many as one billion MP3 tracks. It is also rumored that Wal-Mart will soon drop DRM-protected tracks in favor of the MP3 format. In reaction to these developments and the current availability of MP3s from EMI and Universal Music Group (this is a test), the Warner Music Group and Sony BMG Music Entertainment may consider distributing MP3s as well.

Read more about it at "Amazon 1 Billion MP3 Giveaway Offer; Under Pressure, Labels Warm To DRM-free Format" and "DRM Deathwatch: Sony, Wal-Mart."

New York Public Library Makes 600,000 Digital Images Available to Kaltura Users

The New York Public Library has made its collection of 600,000 digital images available for use by Kaltura users. Kaltura is a free, online collaborative video production site.

Here's an excerpt from the press release:

The New York Public Library and Kaltura, Inc., a pioneer in Collaborative Media, announced today that the organizations have joined forces to further enhance online rich-media collaboration. The New York Public Library's treasure trove of 600,000 digital images can now be incorporated easily into Kaltura's group video projects. The library's digital collection includes a wide range of rare and unique images drawn from its research collections. These range from Civil War photographs and illuminated Medieval manuscripts to historic views of New York City, Yiddish theatre placards and 19th Century restaurant menus. Users can search, preview and add these library images directly from the Kaltura web site (To try it, go to http://www.kaltura.com, click 'start a kaltura').

"Kaltura is a good fit for The New York Public Library as we work to take advantage of the latest technologies and approaches to make our collection freely and widely accessible," said Joshua M. Greenberg, Director of Digital Strategy and Scholarship at The New York Public Library. "We are excited to enable the use of our extensive Digital Gallery of historical images in Kaltura's cutting-edge and innovative application. Working with Kaltura was a natural step in enabling the creative use of these rich materials in the broader online world."

Kaltura enables groups of users to collaborate in the creation of videos and slideshows, similar to the way in which Wiki platforms allow users to collaborate with text. When creating a Kaltura video, users can upload their own videos, photos, audio and animation, can import their previously uploaded material from MySpace, Photobucket or YouTube, or they can access and import rich-media from various public-domain and CreativeCommons sources such as Flickr, CCMixter, Jamendo, and now The New York Public Library. Kaltura aims to team with additional databases and digital resource partners in order to both provide users with the widest array of rich-media, and to provide its resource partners with access to Kaltura's Global Network of users, content, and services that allows unprecedented collaboration around rich-media creation, remixing and distribution.

"We strive to provide users with the most comprehensive, enjoyable and user-friendly experience possible when creating their collaborative Kalturas in a fun, safe, and legal environment; The New York Public Library database is a huge addition to resources that we offer, both in terms of its size and the great value that it brings," said Ron Yekutiel, Chairman and CEO of Kaltura.

"Kaltura was built around the principles of openness and sharing with the mission to enhance collaboration and to lower the barriers of participation—it is through partners with a similar vision, like The New York Public Library, that we can achieve our goal of delivering the world's first open platform for peer production of rich media, with the broadest access to rich-media materials, resources and databases," Yekutiel added. "We are truly honored by this collaboration."

Two Strikes and You're Out: France Plans to Disconnect Digital Pirates from the Internet

The French Ministry of Culture has proposed a number of measures to deal with illegal downloading on the Internet, including a controversial proposal to terminate accused pirates' Internet access after two downloading violations.

Here's an excerpt from "French Gov't Plans to Disconnect Content Pirates":

The government has won agreement for its latest proposals from the French media industry, which will implement the watermarking measures and make legal downloads of films more widely and rapidly available. Albanel signed the agreement Friday with TV channels, Internet service providers (ISPs), and groups representing filmmakers, authors and musicians rights groups.

In return for the support of these organizations, the government will create a new agency to monitor Internet traffic for the presence of watermarked files and handle complaints from rights holders. Anyone whose Internet connection is used to download such files could receive an official warning from their ISP. A second offense could result in their contract with the ISP being terminated and their name being added to a registry of offenders.

Read more about it at "The Insanity of France's Anti-File-Sharing Plan: L'État, C'Est IFPI," "French Pact Aims to Fight Unauthorized Downloading," and "Pirates Face Crackdown over Movie Downloads."

Goliath Just Got Smaller: Free Software Foundation Establishes Expert Witness Defense Fund to Fight RIAA Lawsuits

The Free Software Foundation has established an Expert Witness Defense Fund to "help provide computer expert witnesses to combat RIAA's ongoing lawsuits, and to defend against the RIAA's attempt to redefine copyright law." Ray Beckerman and a group of selected attorneys will advise the fund. You can make tax deductible contributions to the fund, which is a registered 501(c)3 organization.

In a Win for the MPAA and RIAA, the College Opportunity and Affordability Act of 2007 Is Approved by the House Education and Labor Committee

Despite the opposition of higher education officials, the College Opportunity and Affordability Act of 2007 was approved by the House Education and Labor Committee with an illegal file sharing provision intact.

Read more about the provision and its approval at "Campus Copyright Mandates Threaten Financial Aid Funds and Campus Networks," "House Antipiracy Measure Passes through Committee," "House Committee on Education and Labor Puts out 'Supporters of Intellectual Property Theft' Propaganda," "Politicos Near Vote on Anti-P2P Rules for Universities," and "Swiftboating Higher Education on P2P."

Urgent EDUCAUSE Call to Action on Illegal File Sharing Provision

EDUCAUSE has issued an urgent call to action regarding an illegal file sharing provision in the College Opportunity and Affordability Act of 2007.

Here's the text of the provision:

Section 494: Campus Based Digital Theft Prevention

(a) IN GENERAL—Each eligible institution participating in any program under this title shall to the extent practicable—

(2) develop a plan for offering alternatives to illegal downloading or peer-to-peer distribution of intellectual property as well as a plan to explore technology-based deterrents to prevent such illegal activity

For further information, see EDUCAUSE's P2P or File Sharing page, especially the talking points and the suggested templates for calls and letters. You can use Congress Merge to find contact information for your Congressional representatives.

Jefferson Airplane Member, RIAA Director of Communications, and Others Discuss P2P File Sharing at Ohio University Forum

Ohio University has released a digital video of its October 30, 2007 P2P File Sharing: A 360° Perspective forum. Among others, the speakers included Jorma Kaukonen, member of the Jefferson Airplane and Hot Tuna, Jonathan Lamy, Director of Communications of the RIAA, and Vijay Raghavan, Director of Digital Freedom University and the Digital Freedom Campaign.

EFF and Public-Interest-Group Coalition Issue Fair Use Principles for User-Generated Video Content

The Electronic Frontier Foundation and a coalition of public-interest groups (the Center for Social Media, School of Communications, American University; Program on Information Justice and Intellectual Property, Washington College of Law, American University; Public Knowledge; Berkman Center for Internet and Society at Harvard Law School; and the American Civil Liberties Union of Northern California) have issued "Fair Use Principles for User-Generated Video Content."

Here's an excerpt from the press release:

Fair uses have been mistakenly caught up in copyright enforcement dragnets in the past. For example, earlier this year blogger Michelle Malkin's video about rapper Akon was erroneously taken down from YouTube after Universal Music Group (UMG) claimed copyright infringement. In that case, two excerpts from Akon music videos were embedded in a longer commentary about the rap star. Although UMG ultimately admitted its mistake, automated content filtering raises the possibility that commentaries like this might be blocked preemptively in the future.

With cases like this one in mind, "Fair Use Principles for User-Generated Content" describes six steps that service providers and copyright owners should take to minimize damage to fair use during copyright enforcement efforts. One key principle is "three strikes before blocking" — verifying that the video matches the video of a copyrighted work, that the audio matches the audio of the same work, and that nearly all of the clip is comprised of that single work. In addition, if a video is blocked by a content filter, the creator should be given an opportunity to dispute the filter's determination.

Canadian Public Domain Music Score Site Forced to Remove All Scores

The International Music Score Library Project, which offered music scores that were in the public domain in Canada, has been forced to remove all scores because it can not afford to comply with the terms of a second cease and desist letter from Universal Edition. The publisher's letter indicated that some scores were still under copyright in Europe, where the term of protection is 20 years longer than in Canada, and that some unidentified works were still under Canadian copyright.

The IMSLP Website remains, but it now consists only of a lengthy open letter and discussion forums.

Michael Geist, Canada Research Chair of Internet and E-commerce Law at the University of Ottawa, commented in a posting on the case:

In this particular case, UE demanded that the site use IP addresses to filter out non-Canadian users, arguing that failing to do so infringes both European and Canadian copyright law. It is hard to see how this is true given that the Supreme Court of Canada has ruled that sites such as IMSLP are entitled to presume that they are being used in a lawful manner and therefore would not rise to the level of authorizing infringement. The site was operating lawfully in Canada and there is no positive obligation in the law to block out non-Canadians.

As for a European infringement, if UE is correct, then the public domain becomes an offline concept, since posting works online would immediately result in the longest single copyright term applying on a global basis. That can't possibly be right. Canada has chosen a copyright term that complies with its international obligations and attempts to import longer terms – as is the case here – should not only be rejected but treated as copyright misuse.

Read more about it in "European Copyright Law Used to Threaten Canadian Public Domain Site" and "Music Score Library Goes Off-Line after Cease and Desist Warning."

The RIAA Sues Usenet.Com

The RIAA has sued Usenet.Com, a Usenet service provider. Usenet.Com offers SSH access with its Secure-Tunnel option from SecureTunnel.com, and indicates that it does not log user activity.

There are a wide variety of Usenet service providers, including universities and colleges.

Here's an excerpt from Usenet.Com's Mp3 Newsgroups Page:

Today’s hottest way of sharing MP3 files over the Internet is Usenet; forget about all the peer-to-peer software applications, which quickly become outdated. . . . MP3 Newsgroups are the ultimate way of sharing as they are well organized and allow the users to find what they are looking for quickly and effortlessly.

Read more about the suit at "RIAA Sues Usenet, Decries It as Napster, Kazaa" and "RIAA Tries to Pull Plug on Usenet. Seriously."

The Jammie Thomas Appeal and More Follow-up

Jammie Thomas has filed a notice of appeal to the Capitol Records v. Jammie Thomas verdict based on the premise that the statutory damages awarded were excessively large and constitute punitive damages. Thomas would like to have a new trial or to have the damages to be adjusted to $151.20 from $222,000.

Here's an excerpt from the motion reported in "Appeal in RIAA Case to Focus on 'Unconstitutionally Excessive' Punishment":

"In the instant matter, defendant Thomas urges the Court to consider the statutory damages to be tantamount to an award of punitive damages, since it is based not upon plaintiffs' losses, but rather defendant's conduct," concludes the motion. "Whether the Court recognizes actual damages of zero dollars, $20 or whatever figure plaintiffs suggest is a fair measure of their actual damages for the 24 subject recordings, the ratio of actual damages to the award is not only astronomical, it is offensive to our Constitution and offensive generally."

Further coverage of the motion is available in "RIAA Says Thomas Shirking $222,000 Payoff" and "RIAA's $222,000 Defendant Asks for a New Trial."

Here's further commentary on the verdict:

A Capitol Records v. Jammie Thomas Juror Speaks Out and More Verdict Reactions

Michael Hegg, a steelworker who served on the Capitol Records v. Jammie Thomas jury, has revealed what went on in the deliberations in "RIAA Juror: 'We Wanted to Send a Message'."

Here are more verdict reactions and follow-ups:

P2P Users Who Don't Use Blocklists Can Be Tracked by Media Companies

A study by Anirban Banerjee, Michalis Faloutsos and Laxmi N. Bhuyan ("P2P:Is Big Brother Watching You?") has shown that peer-to-peer file sharing users who do not employ blocklists can be tracked by media companies or their agents.

Here's an excerpt from the paper:

A naive user is practically guaranteed to be tracked: we observe that 100% of our peers run into blocklisted users. In fact, 12% to 17% of all distinct IPs contacted by a peer are blocklisted ranges. Interestingly, a little caution can have significant effect: the top five most prevalent blocklisted IPs contribute to nearly 94% of all blocklisted IPs we ran into. Using this information users can reduce their chances of being tracked to just about 1%.

Source: Anderson, Nate. "P2P Researchers: Use a Blocklist or You Will Be Tracked. . . 100% of the Time." Ars Technica, 10 October 2007.

The Capitol Records v. Jammie Thomas Appeal and Further Reactions to the Verdict

Jammie Thomas will appeal the Capitol Records v. Jammie Thomas verdict. More on this and further reactions to the case in the articles and posts below:

EDUCAUSE Urgent Call to Action on McKeon-Keller Bill’s File Sharing Provisions

You might recall that back in July, EDUCAUSE issued an urgent call to action about a file sharing amendment that Senate Majority Leader Harry Reid intended to make to the Higher Education Reauthorization Act.

It's déjà vu all over again. Virtually the same proposal has been incorporated into Rep. Howard P. McKeon and Rep. Ric Keller's College Access and Opportunity Act of 2007, and EDUCAUSE has again issued an urgent call to action. Get the details at EDUCAUSE's P2P or File Sharing page.

Also read "A Controversial Antipiracy Measure Re-emerges." Here's an excerpt:

Like Mr. Reid’s amendment, the House proposal calls on the U.S. secretary of education to identify the 25 institutions that received the most notices identifying cases of copyright infringement of both music and movies. The colleges appearing on those lists would then be required to devise “a plan for implementing a technology-based deterrent” to illegal file swapping.

Source: Read, Brock. "A Controversial Antipiracy Measure Re-emerges." The Wired Campus, 8 October 2007.

Yet Another Music Copyright Lawsuit: Turn Off Those Staff Radios in the UK!

Kwik-Fit, a UK car repair company, has been sued by the Performing Rights Society over staff use of radios.

Here's an excerpt from "Kwik-Fit Sued over Staff Radios":

The PRS claimed that Kwik-Fit mechanics routinely use personal radios while working at service centres across the UK and that music, protected by copyright, could be heard by colleagues and customers.

It is maintained that amounts to the "playing" or "performance" of the music in public and renders the firm guilty of infringing copyright.

Source: "Kwik-Fit Sued over Staff Radios." BBC News, 5 October 2007.

The Amazon MP3 Music Service: No DRM; but Read the Terms of Use Agreement

MP3 files in the Amazon MP3 Music Service are free from DRM restrictions; however, the Amazon MP3 Music Service: Terms of Use agreement imposes legal restrictions that customers should be aware of and compare to their rights under the first sale doctrine with a CD purchase.

In section 2.1, it states:

Upon your payment of our fees for Digital Content, we grant you a non-exclusive, non-transferable license to use the Digital Content for your personal, non-commercial, entertainment use, subject to and in accordance with the terms of this Agreement. You may copy, store, transfer and burn the Digital Content only for your personal, non-commercial, entertainment use.

In section 2.2, it states (excerpt; italics added):

Except as set forth in Section 2.1 above, you agree that you will not redistribute, transmit, assign, sell, broadcast, rent, share, lend, modify, adapt, edit, sub-license or otherwise transfer or use the Digital Content. You are not granted any synchronization, public performance, promotional use, commercial sale, resale, reproduction or distribution rights for the Digital Content.

Source: Dudley, Brier. "Unlocked Music Isn't Unlimited." The Seattle Times, 8 October 2007.

More Reactions to the Capitol Records v. Jammie Thomas Verdict

Here are some more reactions to the Capitol Records v. Jammie Thomas verdict.

Reactions to the Capitol Records v. Jammie Thomas Verdict

Here are some reactions to the Capitol Records v. Jammie Thomas verdict.

RIAA Wins in Capitol Records v. Jammie Thomas

The RIAA scored a victory in its first file sharing lawsuit to go before a jury. Defendent Jammie Thomas was ordered to pay $220,000 ($9,250 each for 24 songs).

Here are the Ars Technica postings that deal with the case:

Further coverage about the verdict can be found in these CNET News.com articles:

RIAA Loses Money on File Sharing Lawsuits

Testifying in Capitol Records v. Jammie Thomas (formerly known as Virgin v. Thomas), Jennifer Pariser of Sony BMG, admitted that the RIAA's lawsuits against file sharing result in a net loss for the organization.

Here's an excerpt from "RIAA Anti-P2P Campaign a Real Money Pit, According to Testimony":

One of the biggest bombshells from the cross-examination was Pariser's admission that the RIAA's legal campaign isn't making the labels any money, and that, furthermore, the industry has no idea of the actual damages it suffers due to file-sharing. . . .

The next line of questioning was how many suits the RIAA has filed so far. Pariser estimated the number at a "few thousand." "More like 20,000," suggested Toder. "That's probably an overstatement," Pariser replied. She then made perhaps the most startling comment of the day. Saying that the record labels have spent "millions" on the lawsuits, she then said that "we've lost money on this program."

Source: Bangeman, Eric. "RIAA Anti-P2P Campaign a Real Money Pit, According to Testimony." Ars Technica, 2 October 2007.

Japanese Authors Write Novels on Cell Phones

Texting has been raised to a new level as young Japanese authors have taken to writing novels on their cell phones.

Here's an excerpt from "Ring! Ring! Ring! In Japan, Novelists Find a New Medium":

When Satomi Nakamura uses her cellphone, she has to be extra careful to take frequent breaks. That's because she isn't just chatting. The 22-year-old homemaker has recently finished writing a 200-page novel titled "To Love You Again" entirely on her tiny cellphone screen, using her right thumb to tap the keys and her pinkie to hold the phone steady. . . .

Most of these novels, with their simple language and skimpy scene-setting, are rather unpolished. . . . But they are hugely popular, and publishers are delighted with them. . . . Several cellphone novels have been turned into real books, selling millions of copies and topping the best-seller lists.

Source: Kane, Yukari Iwatani. "Ring! Ring! Ring! In Japan, Novelists Find a New Medium." The Wall Street Journal, 26 September 2007, A1, A18.

More Lawsuits and Pre-Litigation Settlement Letters from the RIAA

In a new round of litigation, the Recording Industry Association of America has sued 24 individuals who had not heeded pre-litigation settlement letters, and it has sent 403 new letters to individuals at 22 universities.

Source: Butler, Susan. "RIAA Sends Another Wave Of Settlement Letters." Billboard, 20 September 2007.